About Our Instruments
Vicki Boeckman is playing a soprano recorder after Ganassi and alto
recorders after P. I. Bressan and J. Denner, all by the late Frederick
G. Morgan of
Courtney Westcott’s baroque
flute is by Peter Noy (
Cecilia Archuleta
performs on a 1615 Brescian violin by Zanetto Peregrino.
Tekla Cunningham plays a violin by Johannes Eberle (Prague, 1809).
Adam LaMott’s violin was made by
Bernardo Calcagni,
Ingrid Matthews
performs on a violin made by Hendrik Jacobs
Laurel Wells’s viola is by George Klotz (Mittenwald, 1761).
Joshua Lee’s bass viol is by Edward Maday (Woodmere, NY, 2000), after Barak Norman.
Margriet Tindemans
is playing a viola da gamba by Ray Nurse of
Margriet Tindemans
is playing a viola da gamba by Ray Nurse of
Joanna Blendulf’s Baroque cello was made by Timothy G. Johnson (Bloomington, 1999), after a cello by Nicola Gagliano (Naples, 1785).
Page Smith is playing a cello by Robert Brewer Young (Sentaraille á Berdot, 2011), after Sanctus Seraphin (Venice, 1730).
Nathan Whittaker’s 1875 cello by Gustav Greiner of Breitenfeld was converted to Baroque specifications in 2004 by Stephen Schock of Bloomington, Indiana.
John Lenti’s theorbo is by Klaus Jacobsen (London, 2001), after 17th-century models.
Jillon Stoppels
Dupree’s single-manual 17th-century Italian-style harpsichord is by
Zuckermann Harpsichords, rebuilt by David Calhoun; her Flemish
double-manual harpsichord, based on the 1624 “
The fortepianos played by George Bozarth and Tamara Friedman are replicas of two grand pianos by Nannette Streicher (Vienna, 1805 and 1820), built by Kenneth Bakeman (Kirkland, WA, 1980) and Thomas and Barbara Wolf (Washington, DC, 2000).
