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Vicki Boeckman is playing a soprano recorder after Ganassi and alto recorders after P. I. Bressan and J. Denner, all by the late Frederick G. Morgan of Daylesford, Australia, and a soprano recorder after Rafi by Francesco LiVirghi of Rome

Courtney Westcott’s baroque flute is by Peter Noy (Seattle, 2008), after an instrument by Carlo Palanca (Torino, ca. 1750).

Cecilia Archuleta performs on a 1615 Brescian violin by Zanetto Peregrino.

Tekla Cunningham plays a violin by Johannes Eberle (Prague, 1809).

Adam LaMott’s violin was made by Bernardo Calcagni, (Genoa, in 1730).

Ingrid Matthews performs on a violin made by Hendrik Jacobs (Amsterdam in 1703).

Laurel Wells’s viola is by George Klotz (Mittenwald, 1761).

Joshua Lee’s bass viol is by Edward Maday (Woodmere, NY, 2000), after Barak Norman.

Margriet Tindemans is playing a viola da gamba by Ray Nurse of (Vancouver 1994), after Barak Norman (London, 18th century).

Margriet Tindemans is playing a viola da gamba by Ray Nurse of (Vancouver 1994), after Barak Norman (London, 18th century).

Joanna Blendulf’s Baroque cello was made by Timothy G. Johnson (Bloomington, 1999), after a cello by Nicola Gagliano (Naples, 1785).

Page Smith is playing a cello by Robert Brewer Young (Sentaraille á Berdot, 2011), after Sanctus Seraphin (Venice, 1730).

Nathan Whittaker’s 1875 cello by Gustav Greiner of Breitenfeld was converted to Baroque specifications in 2004 by Stephen Schock of Bloomington, Indiana.

John Lenti’s theorbo is by Klaus Jacobsen (London, 2001), after 17th-century models.

Jillon Stoppels Dupree’s single-manual 17th-century Italian-style harpsichord is by Zuckermann Harpsichords, rebuilt by David Calhoun; her Flemish double-manual harpsichord, based on the 1624 “Colmar” Johannes Ruckers instrument, was built by Kevin Fryer in 2002.

The fortepianos played by George Bozarth and Tamara Friedman are replicas of two grand pianos by Nannette Streicher (Vienna, 1805 and 1820), built by Kenneth Bakeman (Kirkland, WA, 1980) and Thomas and Barbara Wolf (Washington, DC, 2000).

 

(Nannette Streicher, Vienna, ca. 1820)