Gallery Concerts

MUSIC IN INTIMATE SETTINGS

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Vicki Boeckman is playing a soprano recorder after Ganassi and alto recorders after P. I. Bressan and J. Denner, all by the late Frederick G. Morgan of Daylesford, Australia, and a soprano recorder after Rafi by Francesco LiVirghi of Rome

Courtney Westcott’s baroque flute is by Peter Noy (Seattle, 2008), after an instrument by Carlo Palanca (Torino, ca. 1750).

Cecilia Archuleta performs on a 1615 Brescian violin by Zanetto Peregrino.

Elizabeth Blumenstock plays a violin by Andrea Guarneri (Cremona, 1660) generously lent to her by the Philharmonia Trust (San Francisco).

Adam LaMott’s violin was made by Bernardo Calcagni, Genoa, in 1730.

Ingrid Matthews performs on a violin made by Hendrik Jacobs of Amsterdam in 1703.

Laurel Wells’s viola is by John Blair (Edinburgh, 1800).

Margriet Tindemans is playing a viola da gamba by Ray Nurse of Vancouver (1994), after Barak Norman (London, 18th century).

Nathan Whittaker is playing an 1875 cello by Gustav Greiner of Breitenfeld that was converted to Baroque specifications in 2004 by Stephen Schock of Bloomington, Indiana

Jillon Stoppels Dupree’s single-manual 17th-century Italian-style harpsichord is by Zuckermann Harpsichords, rebuilt by David Calhoun; her Flemish double-manual harpsichord, based on the 1624 “Colmar” Johannes Ruckers instrument, was built by Kevin Fryer in 2002.

Tamara Friedman’s classical pianos are a replica of an Anton Walter grand piano (Vienna, 1795), built by Rodney Regier in 1986, and a replica of a Nannette Streicher grand piano (Vienna, 1815), built by Thomas and Barbara Wolf in 2000.

Anton Walter grand piano (Vienna, 1795), built by Rodney Regier, Freeport, ME